Debussy Pelléas et Mélisande Golaud
			“As the jealous Golaud, Conrad was compelling. The high notes that signal outbreaks of violence were imposing. And Conrad created a complex characterization; this man hated his own dark urges, but was powerless to stop himself.” --The Boston Globe “Conrad himself sang Golaud. He seemed to have a new bite in his voice...especially in the early scenes. His sense of Golaud’s uncontrolled jealousy, his pain, his overt emotionalism, made a powerful contrast with Melisande’s impassivity.” --The Boston Phoenix